Le Passeur immobile, which covers the year 1987, is a Booklet filmed stuck between The Days and the Nights (1986) and The Artifice and the Fake (1988). These Notebooks have been punctuating my activity as a filmmaker for about fifteen years. They are like a life parallel to my other films and film series (Cinema, Group Portrait, Read, etc.). They are also like a letter to the spectators.
From this "inexorable disease", Hervé Guibert did not recover. The miracle he had so much hoped for did not happen. But, before his death in 1991, three years after learning of his HIV-positive status, he engraved in his literary and photographic work "the places of [his] suffering", "the stations of [his] way of the cross". With his thin body and sunken cheeks, the handsome man with curly hair that he was, the one whose clear gaze radiated from the seaside photos, fought a fierce battle against AIDS. A fight of every moment against the decay of the body, observed and commented with a methodical care in his autobiographical novels, in particular "To the Friend Who Did Not Save My Life" (1990) and "The Compassionate Protocol" (1991), and of which he testified on television on the set of "Apostrophes"...
Jean-Paul Aron (27 May 1925 – 20 August 1988) was a French writer, philosopher and journalist. His most notable work is Les Modernes, which was published in 1984. Aron was born in Strasbourg. He was a close friend of Michel Foucault in the early 1950s, before a falling out over a lover. He was, like Foucault, an early person of renown in France to die of AIDS, and is widely credited for giving the disease a human face and challenging the public perception of the disease. During his lifetime, he published several historical works that examined middle-class social practices. He is buried at 6, rue du Repos in Paris. Source: Article "Jean-Paul Aron" from Wikipedia in English, licensed under CC-BY-SA 3.0.