Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.
Jean-Pierre Gorin (born 17 April 1943) is a French filmmaker and professor, best known for his work with Nouvelle Vague luminary Jean-Luc Godard, during what is often referred to as Godard's "radical" period. Jean-Pierre Gorin was a student of Louis Althusser, Michel Foucault and Jacques Lacan. He was a radical leftist well before meeting Godard in 1966. Godard relied on some of his discussions with Gorin while writing the script of 1967's La Chinoise. Gorin played a role in making Le Gai Savoir, which was released in 1969. In 1968, Gorin and Godard founded the collective Dziga Vertov Group and together produced a series of overtly political films including Vent d'est (1970), Tout va bien (1972), and Letter to Jane (1972).