Ga-young, a filmmaker, visits Seong-bum, an art instructor, to consult on her affair with a married man. The two were once lovers of each other, though that does not stop Seong-bum from becoming a love counselor for Ga-young. Yet, they don′t just consult, but begin exploring new feelings for each other.
Under the pretense of research for her scenario, Ga-yeong interviews a man she’s been wanting to get to know. She probes him for intimate details including his sexual fantasies. He answers in all sincerity and she slowly reveals her desire for him.
Sun-mi works at a reception desk of a public institution in Daegu, Korea. Nothing happens to her, and she has the same lunch every day. One day, a message is sent to her. This little incident in her ordinary life stimulates her curiosity. Saturday morning, a film director Ga-young participates into a Q&A section of her new movie entitled The Murder at Cinema. Eun-jung, a foreman in a production line, tries to find Min-cheol who disappeared with the book of accounts. She meets his acquaintances to ask where they saw him, and finally she heads to the cinema where she heard that he often visits.
Director Ga-young wants to cast actor Zo In-sung, but there is no scenario yet.
Jeong Ga-young (born 1990~) is an independent film director. When she was a teenager, she wanted to be the producer of a popular TV show about movies. That’s why she started a degree in mass communication before realizing that this job wasn’t for her. She then enrolled at the Film, TV & Multi media School of the Korea National University of Arts, but dropped out less than two years after to try writing novels. She would not persevere on that path, though, as she eventually concluded that she didn’t have enough talent for that. Instead, she started making films, all by herself. After a dozen or so of short movies, usually shot over of a day due to her impatience, she invested her own money to realize her first feature project, Bitch on the Beach. Her sophomore film, Hit the Night won the Vision-Director’s Award (given every year to two promising independent directors) at the Busan International Film Festival and was later invited to the main competition of the Rotterdam International Film Festival.
