Six people over seventy are at a turning point in their lives. Without knowing each other, they go on a journey together.
How do Dutch actors in the post-#MeToo era look back at intimate scenes and what do they think about the arrival of the intimacy coordinator? From her experience as an actress and filmmaker, Tamar van den Dop talks to several past and present icons.
Thirty-year-old Robin leaves the city to go to a logging camp for a few days. But is it a logging camp or a men's camp? Robin is seen as an intruder, and after the earlier confusion and outrage, cannot escape strong examples of mansplaining, bullying and downright sexist campfire jokes. Just as long as it explodes. After all that taking it, Robin can't help but break the silence.
A chance opportunity arises for Robert Atkinson, a London banker who risks his bank's money to leave the mundane behind and start a new life. To take advantage, he unwittingly signs up with a Chinese cartel to transport a briefcase to Amsterdam. But all is not as it seems in a city veiled by dark secrets. Fuelled by power players, drugs, seduction and violence, Robert awaits his turn in a deadly game of choice and consequence.
Jeroen Aart Krabbé (Dutch pronunciation: [jəˈrun ˈaːrt krɑˈbeː]; born 5 December 1944) is a Dutch actor and film director with a successful career in both Dutch and English-language films. He is best known to international audiences for his leading roles in the Paul Verhoeven films Soldier of Orange (1977) and The Fourth Man (1983), for playing the villain General Georgi Koskov in the James Bond film The Living Daylights (1987) and his parts in The Prince of Tides (1991), The Fugitive (1993), and Immortal Beloved (1994). His 1998 directorial debut, Left Luggage, was nominated for the Golden Bear at the 49th Berlin International Film Festival.