Based on the most well-known classical fantasy novel of China, Fengshenyanyi, the trilogy is a magnificent eastern high fantasy epic that recreates the prolonged mythical wars between humans, immortals and monsters, which happened more than three thousand years ago.
Ma, who lost his son, had hatred for the poachers and was caught in a grudge thirsty for revenge. However, he was gradually moved by Xiao Gu's sincerity and kindness and eventually regained hope. The poachers, on the other hand, are the opposite of the Ma, taking innocent lives for their own selfish reasons. They are bent on revenge, causing it to conclude as a tragedy.
Chen Cheng’s Taoist Master: Kylin is the quick fire sequel to Wu Yingxiang’s Taoist Master (released just a few months ago, already online), with Fan Siu Wong returning in the role of Zhang Taoling, the founder of the first organized form of Taoism, flanked by his disciple (Li Lubing, also returning). This time, Master Zhang arrives in a village near Mount Yun Jing, where Kylin, the legendary God of the Mountain, is rumored to prey on hunters and those foolhardy enough to venture into the mountain. While Taoist Master was on the higher end of Chinese direct-to-VOD films, this sequel is disappointingly average: it lacks the refreshing presence of Zhang Dong (who played a feisty huntress in the first film), it’s criminally low on fight scenes (one of the original’s strong suits), and the plot is the usual thudding supernatural set-up resolved with the censorship-placating hallucination card.
In the steel city like a desert island, the decisive battle between life and death is on the verge.
In the world of post-apocalypse, the Еarth is barren desert. The killer called Thunder betrayed his own evil organization "Sirik Boat" and decided to fight for justice.