Acclaimed Finnish director Rauni Mollberg made several scandalous yet widely appreciated films. Former co-worker Veikko Aaltonen’s eye-opening documentary The Dinosaur looks at the relentless, often disturbing directing techniques behind Mollberg’s art and success.
Jörn Donner’s entire production can be considered as a self-portrait, a life-spanning performance. Whilst others have painted one image or another of Donner, John Webster’s interpretation differs in that it pulls most of its material from Donner’s last-intended interview in December 2019, and an immense never-before-seen collection of photographs from albums simply labelled “Donner – Privat”. As a result, the film morphs into an epilogue of sorts, of Donner’s life story.
Jörn Donner was a Swedish-speaking Finnish writer, film director, actor, producer, politician and founder of Finnish Film Archive. Internationally he was best known for his film Fanny and Alexander (1982), that won four Academy Awards, including the award for the best foreign language film. In Finland he was known for his work as an author, as well as having been member of both, Parliament of Finland and European Union.