In 1980, two Cork outsiders, Cathal Coughlan and Sean O’Hagan, met at a New Year's Eve party. Bonding over music, a friendship and songwriting partnership was ignited; the band they formed, Microdisney, was one of the best bands of the 1980s that you’ve probably never heard. Mixing Sean’s stunning melodic arrangements with Cathal’s poetic, angry lyrics, they recorded three brilliant LPs, gained critical adulation and an obsessive cult following. But a hit single eluded them, as did radio play and LP sales. By 1988, frustrated by their lack of progress, the band crashed and burned, leaving a trail of acrimony and broken friendships.
How does a working class autodidact, with no visible means of support, maintain his role as the leader of a cult British underground band into its fifth decade? Comedian and writer Stewart Lee, director Michael Cumming and James Nicholls investigate the mysterious existence of Robert Lloyd, Britain’s ultimate post-punk survivor. Robert Lloyd’s Prefects played with The Clash on the White Riot tour in 1977, and their ongoing incarnation, as Birmingham’s Captain Beefheart suffused post-punk poets The Nightingales, recorded more John Peel sessions than any other band. Ever. But what were the social, cultural and economic circumstances that enabled and sustained such outsider artists in the punk and post-punk eras, and how has the world changed to the point where such figures are unlikely to flourish in the same way today? Lloyd’s own odyssey echoes how abstract notions of social mobility, of the value of culture and music, have changed in the last five decades.
John Peel was a British radio presenter, record producer and music journalist. He's best known for his regular "Peel sessions", a segment in his radio show on BBC 1 in which music bands introduced new songs live in the studio, and for his voice over work on BBC television documentaries.