Auksė and her father Saulius arrive at her late grandfather’s house, where Auksė learns that Saulius intends to sell the property. Saulius considers things left at home as junk that needs to be thrown away, while Auksė sees them as memories that shape her entirely different view of the past. Guided by her new-found perspective, Auksė tries to convince her father to reconsider the sale. But the cold relationship between them and the ongoing silent mourning lead to a confrontation where neither side is completely right.
A series of vignettes situated in an apartment in Vilnius conceive of the complexities of desire and love as seen through the fleeting experiences of five Airbnb guests, each in differing states of romantic entanglement and crisis.
A series of vignettes situated in an apartment in Vilnius conceive of the complexities of desire and love as seen through the fleeting experiences of five Airbnb guests, each in differing states of romantic entanglement and crisis.
It is highly probable that before their own death, everyone has to organise someone else’s funeral. This is by far not an easy task. In addition to the searing grief, dying also brings a number of tasks that are at once utterly alien and intensely time-critical. The main character of this film, Dovile, who unexpectedly has to bury her father, has to face the bedlam of exactly such a challenge. Overnight, the young girl has to become a skilful organiser of a family event, while also being a specialist on coffins, urns, wreaths and funeral feasts. Dovile’s journey towards organising a perfect funeral is inevitably full of hardship and mishaps, accompanied mainly by black humour and comical situations.
When Marija learns that her unstable boyfriend has disappeared, she takes to the streets in an attempt to find him.