It portrays the work of Carlos Filho, Cafi, a photographer from Recife, who for more than 40 years has dedicated himself to recording a large part of the events of dance, theater and Brazilian popular music. Recordings, concerts, tours and rehearsals by important artists passed through Cafi's lens.
Twenty years after his debut as an actor, Brazil's sweetheart Reynaldo Gianechini meets his mentor, legendary director José Celso Martinez Corrêa for a first reading of Plato's Phaedrus.
Twenty years after his debut as an actor, Brazil's sweetheart Reynaldo Gianechini meets his mentor, legendary director José Celso Martinez Corrêa for a first reading of Plato's Phaedrus.
Twenty years after his debut as an actor, Brazil's sweetheart Reynaldo Gianechini meets his mentor, legendary director José Celso Martinez Corrêa for a first reading of Plato's Phaedrus.
In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.
José Celso Martinez Corrêa (Araraquara, March 30, 1937 – São Paulo, July 6, 2023), known as Zé Celso, was a Brazilian director, actor, playwright and director. Working − whether directing, adapting, or actually in collaboration − with names ranging from Augusto Boal, Henriette Morineau, Fernanda Montenegro, Sérgio Britto, Raul Cortez, Bete Coelho and Flávio Império to Chico Buarque, William Shakespeare, Nelson Rodrigues, Max Frisch, Bertolt Brecht and Máximo Gorki, Zé Celso built one of the most original journeys on Brazilian stages.