Julia Bullock, Joyce DiDonato and Jakub Jozef Orlinski star in Katie Mitchell’s thrilling new production of Handel’s Theodora in an alternative modern-day reality, Theodora, a religious fundamentalist, plots for the resistance against the Roman occupation. But when her secret plan to destroy the Roman embassy is discovered, she learns the true brutality of her oppressors. Harry Bicket conducts the Orchestra of the Royal Opera House
Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power, with Kelli O’Hara and Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score.
In all her endeavors, both on and off the stage, Joyce DiDonato engages audiences through her energy, imagination, and commitment to her art form. Through these qualities, and with a constantly questing spirit, she has nurtured the vocal, musical and dramatic talents that have taken her to the pinnacle of her profession as a performer. Equally, they serve her as an eloquent and formidable advocate for the transformative power of the arts as she takes music far beyond the world’s great stages – to educational institutions, refugee camps, and maximum-security prisons. “Music heals,” she has said, “and it can fire people up with purpose and courage to change the world.” The winner of multiple Grammys and the 2018 Olivier Award, Kansas-born Joyce DiDonato is, in the words of the New Yorker, “perhaps the most potent female singer of her generation”, her voice having been described by The Times as “nothing less than 24-carat gold”. For all its beauty and agility, its true impact lies in Joyce’s capacity to illuminate character and meaning through nuances of colour and phrasing and her unfailingly communicative way with the text.