This occasionally off-the-wall but finely sung and colourfully staged La Cenerentola was Rome Opera’s first foray into the media market, shown on television and in cinemas across Italy in 2016. It clearly had the funding. Emma Dante’s production will not have come cheap – Vanessa Sannino’s costumes are a particular feature – nor would the singers, given that this is as good a Cenerentola cast as any international house might currently muster.
A philandering nobleman lives without a care for the consequences of his actions. But when one of his conquests ends in murder, he finds himself on the run, pursued by disgruntled ex-lovers, fiancées and a force from beyond the grave. Following his recent spectacular production of Paria, the renowned British director Graham Vick makes a welcome return to OperaVision with this new Don Giovanni from Rome. Italian baritone Alessio Arduini plays the dishonourable Don alongside Georgian soprano and Moniuszko International Vocal Competition winner Salome Jicia as Donna Elvira. This performance is part of OperaVision’s events celebrating the inaugural World Opera Day on 25 October 2019.
Set to the backdrop of the Highlanders revolt against the Crown of Scotland, three men are in love with the same woman, Elena, the daughter of the king’s main opponent: Rodrigo, a warrior highlander, Malcolm, a valiant servant of the cause and Uberto, aka King Giacomo V, in disguise. Triumphant both militarily and politically, the king finally extends his pardon to Douglas’ family and offers Elena’s hand to the man she loves, Malcolm…