Salome, princess of Judea, the daughter‑in‑law of King Herod, finds life in her father‑in‑law’s palace dreary. Her curiosity is roused when she hears the voice of Jochanaan, a prophet held prisoner by Herod who is afraid of him. Obsessed by this enigmatic and virtuous man, Salome is ready to do anything to possess him, dead or alive. Drawing on Oscar Wilde’s scandalous play of the same name, in 1905 Richard Strauss produced the work that was to ensure his status as Wagner’s successor in the history of German opera. A dazzling hour and forty minutes, decadent in its very essence, which, for her debut at the Paris Opera, Lydia Steier treats as a dystopia in which amorality rules.
The two parts of the evening showcase two opposite extremes of emotion. Firstly, Poulenc’s powerful La voix humaine (The Human Voice) tells the touching story of an abandoned woman. The opera monologue of approximately 45 minutes is performed in melodramatic film noir style. After the interval the atmosphere changes dramatically, turning into a raucous show of musical classics and popular repertoire. Directed by Jussi Nikkilä and conducted by Dalia Stasevska, this event has been put together specifically to showcase the great artistry of Karita Mattila.
The libretto of the most well known opera by Dvořak, which premiered in Prague in 1901, is inspired by the Czech version of the Central European folktale, one we also know as Undine (1811) by Friedrich de la Motte Fouqué or The Little Mermaid (1837) by Hans Christian Andersen.
Rufus Wainwright's original opera finds Emperor Hadrian devastated after his lover Antinous drowns in the Nile River. While matters of state encroach on his grief, and advisors clamour for war against a radical new threat to the Empire, Hadrian slips out of time to re-encounter the vision and reality of Antinous—and learn the truth about what happened on the Nile.
Composed in the 1930s by Kurt Weill and Bertolt Brecht, this is a mordant satire on capitalism and the inexorable industrialization of a society in which the ultimate crime is not having money