Ken Campbell

Acting

Ken Campbell

Overview

Known for
Acting
Gender
Other
Birthday
Dec 10, 1941 (83 years old)
Death date
Aug 31, 2008

Ken Campbell

Known For

Creep
1h 25m
Movie 2004

Creep

Trapped in a London subway station, a woman who's being...

Baby Bob
0h 29m
TV Show 2002

Baby Bob

Baby Bob is an American sitcom that aired on CBS...

The Skulls
1h 46m
Movie 2000

The Skulls

A senior at an Ivy League college, who depends on...

Six Experiments that Changed the World
TV Show 1999

Six Experiments that Changed the World

Using archive footage and stills to set the scene as...

Dooley Gardens
0h 30m
TV Show 1999

Dooley Gardens

Alice in Wonderland
2h 13m
Movie 1999

Alice in Wonderland

Alice follows a white rabbit down a rabbit-hole into a...

The Jungle Book: Mowgli's Story
1h 17m
Movie 1998

The Jungle Book: Mowgli's Story

Told from Mowgli's point of view, it's the story of...

Extraordinary Visitor
1h 27m
Movie 1998

Extraordinary Visitor

As the new millennium approaches, God considers pulling the plug...

Hard Men
1h 23m
Movie 1996

Hard Men

British Gangster film with a tongue-in-cheek approach to the genre,...

Local Heroes
0h 30m
TV Show 1996

Local Heroes

Biography

Kenneth Victor Campbell (10 December 1941 – 31 August 2008) was an English writer, actor, director and comedian known for his work in experimental theatre.He has been called "a one-man dynamo of British theatre."   Campbell achieved notoriety in the 1970s for his nine-hour adaptation of the science-fiction trilogy Illuminatus! and his 22-hour staging of Neil Oram's play cycle The Warp. The Guinness Book of Records listed the latter as the longest play in the world. The Independent said that, "In the 1990s, through a series of sprawling monologues packed with arcane information and freakish speculations on the nature of reality, he became something approaching a grand old man of the fringe, though without ever discarding his inner enfant terrible."  The Times labelled Campbell a one-man whirlwind of comic and surreal performance. The Guardian, in a posthumous tribute, judged him to be "one of the most original and unclassifiable talents in the British theatre of the past half-century. A genius at producing shows on a shoestring and honing the improvisational capabilities of the actors who were brave enough to work with him."   The artistic director of the Liverpool Everyman and Playhouse said, "He was the door through which many hundreds of kindred souls entered a madder, braver, brighter, funnier and more complex universe."