The melting love story between two old men, one of them is sick and stays in bed all day, the other is a gambler who takes care of him, visit him everyday and has a hard relationship with his daughter. Sometimes love is the only solution but we realize it when it's too late.
Police detective Olivia uses the help of Natasha, a gambling addict, to dismantle a network of illegal gambling houses.
Terra ribelle is a TV series in 2010 and 2012 on Rai 1. The series follows the evolution of the intricate relationship between the two childhood friends Andrea and Iacopo, and two noble sisters decayed, Elena and Luisa, against the backdrop of intrigue and stories of common life of the Tuscan Maremma in the nineteenth century. The drama, produced by Rai Fiction and Albatross Entertainment, is composed of a total of 15 episodes of 100 minutes each, the first of which debuted Sunday, October 17, 2010 in prime time on Rai 1. On 21 October 2012, the fiction back in prime time on Rai 1, with the second season, set in the early '900, tell through the evolution of the love story of Andrea and Elena, the emigration of many Italians, especially Maremma, to South America. The project combines the director Cinzia TH Torrini and screenwriter Peter Exacoustos after the success of the series Elisa di Rivombrosa.
Laura, a young noblewoman who grew up in a convent, is given in marriage to the baron of Carini, an overbearing and lustful man. The life of the young baroness seems destined for unhappiness until she meets Luca Corbara, who arrives in the country to find his origins.
Io e mio figlio – Nuove storie per il commissario Vivaldi is an Italian television series.
From Wikipedia, the free encyclopedia Gerlando Buzzanca (born August 24, 1935 in Palermo) is an Italian comedy actor. He left high school in Palermo when he was 16 years old, and moved to Rome to pursue his dream of becoming an actor. In order to survive, he took many jobs: waiter, furniture mover, and a brief appearance as a slave in the film Ben-Hur. In his long career he often interpreted the role of the average Italian immigrant from southern Italy, who slowly began to enjoy moderate success during the years of the Italian economic miracle. His films showcased all the freshness of the 1960s, the 1970s and the heavier transition to the 1980s, focusing on the common life in several Italian cities such as Rome, Verona or Milan, balanced between personal happiness and professional achievement. Buzzanca often interpreted roles of a subordinate white collar worker, with a heavy vein of machismo, as a frustrated employee who tries to redeem his dull existence with his virility. He became famous for his role in the film Il merlo maschio, (The Male Blackbird), where in a provincial environment of cultural importance, the philharmonic orchestra of the Arena di Verona, he vents out his own frustrations, indulging into candaulism when he induces his bride to expose her naked body in the middle of a bridge in Verona. Some critics, in a lighter vein, have defined Buzzanca as a "Homo eroticus": a human being halfway between Homo erectus and Homo sapiens, who risked extinction in the 1970s because of the harsh struggle with feminism activists. Today, even though much less so, this male type is still found among Italian males. Buzzanca's fame is greater in foreign countries than in his native land, and in countries as France, Japan, Greece, Israel, Spain and Switzerland he is a renowned international stereotype of the Italian provincialotto, elegant, naif, always causing mischief, and not obtaining anything from it. Description above from the Wikipedia article Lando Buzzanca, licensed under CC-BY-SA, full list of contributors on Wikipedia.