In dreary Porac Pampanga, a young man, Daniel, abandons his motherland after winning the biggest cash prize in the history of Philippine lottery. Five years later, he is searching for home and redemption through the people that make up his past. With each visit, his story unfolds like the last digit of a winning combination.
Driving around the streets of Cuba, Lav Diaz – the famous Filipino director – and Gustavo Flecha - a talkative Cuban taxi driver – find themselves discussing about politics, migration, social conditions and love; touching many personal stories and experiences, they create an historical affresco of the conditions of their own countries.
Driving around the streets of Cuba, Lav Diaz – the famous Filipino director – and Gustavo Flecha - a talkative Cuban taxi driver – find themselves discussing about politics, migration, social conditions and love; touching many personal stories and experiences, they create an historical affresco of the conditions of their own countries.
Lavrente Indico Diaz (born December 30, 1958) is a Filipino independent filmmaker. He is known as one of the key members of the slow cinema movement, having made several of the longest narrative films on record. Although he had been making films since the late 90s Diaz didn't attract much public attention outside of the Philippines and the festival circuit until the release of his 2013 film Norte, the End of History, which was entered into Un Certain Regard section of the 2013 Cannes Film Festival. His three subsequent films have received much critical attention and many awards with 2014's From What Is Before earning him the Golden Leopard at the 2014 Locarno International Film Festival as well as a nomination for the Asian Film Award for Best Director, 2016's A Lullaby to the Sorrowful Mystery competing for the Golden Bear at the 66th Berlin International Film Festival and winning the Alfred Bauer Prize, and 2016's The Woman Who Left competing at the 73rd Venice International Film Festival and winning the Golden Lion.