A parody of D. W. Griffith's "The Birth of a Nation", "I Am Not a Racist" rearranges the scenes of the classic movie and recreates its dialogues to criticize the racism in it and also in the world today. Freemenville is a little city somewhere in the USA. A city ashamed because of its past of slavery, but proud of being the first in the country to end it. There is an annual ball to celebrate this fact. And this year's ball may be the biggest ever, because of the possible presence of a big celebrity, who is coming to town to see the premiere of a play. However, the play happens to be D. W. Griffith's "The Birth of a Nation", a racist work that starts a series of events exposing the racism that still exists in the city, culminating in the recreation of the KKK.
The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.
There were more women directors before 1920 than at any other time in history. The first director to put a narrative story on celluloid was, Alice Guy Blaché in 1896. Few people know that Lillian Gish became a director in her own right in 1920. Ida Lupino directed over a hundred episodes of "Have Gun, Will Travel," "Thriller," "Gunsmoke," and many independent features.
In this handmade film, composed of more than four thousand collages, the actress Lillian Gish is seamlessly appropriated from silent-era cinema and plunged into a new and haunting role. NIGHT HUNTER evokes a disquieting dreamscape, drawn from allegory, myth, and archetype.
Called "the first lady of the silent screen," Lillian Gish was the archetypal silent film heroine — the delicate damsel in distress, stranded on a swift-moving ice floe, cowering before a sadistic brute. The film showcases generous footage of her most memorable performances. In this Emmy-award winning documentary, the celebrated actress reflects on her life and work spanning the 20th century, particularly her years as D.W. Griffith's favorite leading lady and collaborator.
Two aged sisters reflect on life and the past during a late summer day in Maine.
Michael Burgess is an academic who has written a scholarly book on the American Revolution which Hollywood has bought the film rights to. The arrival of the film crew seriously disrupts him as actors want to change their characters, directors want to re-stage battles, and he becomes infatuated with Faith who will play the female lead in the movie. At the same time, he is fighting with his crazy mother who thinks the Devil lives in her kitchen, and his girlfriend who is talking about commitment.
Adventurous Huck Finn prefers rafting on the Mississippi River rather than being a part of civilization.
Two part biography of Greta Garbo - 1. The Temptress 2. The Clown. Reminiscences of her early life in Stockholm, with excerpts from her films. Narrated by Bibi Andersson.
This special is the second "Night of 100 Stars" to benefit The Actors Fund of America. Edited from a seven-hour live entertainment marathon that was taped February 17, 1985, at New York's Radio City Music Hall, this sequel to the 1982 "Night of 100 Stars" special features 288 celebrities.
Lillian Diana Gish (October 14, 1893 – February 27, 1993) was an American stage, screen and television actress whose film acting career spanned 75 years, from 1912 to 1987. She was a prominent film star of the 1910s and 1920s, particularly associated with the films of director D.W. Griffith, including her leading role in Griffith's seminal Birth of a Nation (1915). Her sound-era film appearances were sporadic, but included memorable roles in the controversial western Duel in the Sun (1946) and the offbeat thriller Night of the Hunter (1955). She did considerable television work from the early 1950s into the 1980s, and closed her career playing, for the first time, opposite Bette Davis in the 1987 film The Whales of August. The American Film Institute (AFI) named Gish 17th among the greatest female stars of all time. She was awarded an Honorary Academy Award in 1971, and in 1984 she received an AFI Life Achievement Award.
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