Yolanda, a Cuban woman, goes from dancing her heart out at a house party to running against the clock to find her son and skip town once a video circulates from that gathering that seems to incriminate her.
Alex and Edith, a young couple in their 30s, live their relationship made up of small gestures and everyday life among the ruins of Cuban buildings. Milagros, an elderly woman now retired, tries to survive by selling peanuts and spends her days listening to the radio and reading old letters. Frank and Alain, two nine-year-old friends, go to school and dream of emigrating together to the United States to become Major League Baseball players. Against the backdrop of San Antonio De Los Baños, a town in inland Cuba where time seems to stand still, these three narratives and their respective worlds unfold. Over this mosaic of contemporaneity, however, brought to life through the characters' memories, hovers the specter of separation, the true great scourge of Cuban society.
The city dissolves itself in the same way it was created. With each movement, its inhabitants are preparing to leave to another place, while forming the newton image.