A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.
In 1856, the emperor Dom Pedro II lived a marriage of appearances with Teresa Cristina, with whom he was forced to marry at a young age by his parents' political alliance, having two daughters with her: Isabel and Leopoldina. He truly loves Countess Luisa, a cultured and time-ahead woman who fights for the abolitionist cause and women's rights, married to Eugenio, the emperor's cousin. At the same time there are sisters Pilar and Dolores: the first went to a convent after her mother's death in childhood, growing up among books and dreaming of studying medicine - inspired by the story of Elizabeth Blackwell, the first doctor in the world -, while the second stayed at home to take care of her father, Colonel Eudoro, growing up repressed, illiterate and without vanity.