Millie and Hope are two spoiled immigrants who try to make it in Hollywood but, when their destinies and visas are held hostage by La Migra, they decide to make ends meet and take a cash-paid job on a Marijuana farm in Northern California.
An angry Latinx dyke in her twenties wants to make the world a better place, but can barely keep her own life together. Fernanda and her friends deconstruct their lives, fuck them up, and then continue to deconstruct them.
Queer culture and the arts would be much poorer without the presence and contribution of butch and stud lesbians, whose identity is both its own aesthetic and a defiant repudiation of the male gaze.