On the occasion of the fortieth anniversary of the death of Louis de Funès, this documentary by Jacques Pessis pays tribute to the cult actor by retracing his career through excerpts of his greatest successes in the cinema and in the music hall, never-before-seen archives, as well as testimonies from personalities and relatives.
At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?
At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?
The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.
The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.
In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.
In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.
Louis de Funès, born Louis Germain David de Funès de Galarza, was a popular French actor of Spanish origin and one of the giants of French comedy alongside André Bourvil and Fernandel.