"Der Schatten" shows a journalist who receives an prophecy message: Norah (Deleila Piasko) wants to risk a new beginning in the Austrian metropolis. As soon as she arrives in town, she meets a beggar woman who predicts that in six weeks she will kill a man named Arthur Grimm. At first, Norah doesn't pay any attention to the incident since the name doesn't mean anything to her, but then strange things start to happen.
Ela, a young actress, gets a role with the well-known theatre director Franz Kramer. The production is a great opportunity for Ela, but also comes with pressure. Kramer constantly oversteps Elas boundaries, and the situation worsens when Kramer sexually harasses her. Ela struggles to reconstruct her role as a self-confident character-and realizes that to do so, she has to take the same steps of self-empowerment in her real life.
Growing up on the grounds of one of Germany's largest psychiatric hospitals is somehow - different. For Joachim, the director's youngest son, the patients are like family. They are also much nicer to him than his two older brothers, who drive him into fits of rage. His mother, painting watercolors, longs for Italian summer nights instead of constant German rain, while his father secretly, but not discreetly enough, goes his own way. But while Joachim slowly grows up, his world, not only through the loss of his first love, gets more and more cracks...
East Germany, in autumn 1999. Gudrun Pfaff is about to turn sixty when she finds out that the orphanage she grew up in is being sold to turn into a hotel, and she is willing to do anything to stop it.
Love and loss are closely linked in MY SON, an emotional drama about a teenager and his mother who go on a journey together after nearly having lost one another.
Thomas Brasch was born as a German-Jewish emigrant in England in order to move to the young GDR with his family at the beginning of the 1950s. His father Horst is primarily interested in helping to build the new German state. But Thomas prefers to realize himself as a writer and in doing so discovers his potential as a poetic rebel. His very first play was banned and soon afterwards he lost his place at the film school. When the tanks of the Soviet Union roll through the Czech capital Prague in 1968, Brasch and his girlfriend Sanda and other students try to call for protest in the streets of Berlin - and fail. His own father betrays him to the Stasi and allows Thomas to go to prison. After being paroled, he continues to try his hand at poet writing about love, revolt and death. In the GDR, however, you don't want to have anything to do with someone like him.
Thomas Brasch was born as a German-Jewish emigrant in England in order to move to the young GDR with his family at the beginning of the 1950s. His father Horst is primarily interested in helping to build the new German state. But Thomas prefers to realize himself as a writer and in doing so discovers his potential as a poetic rebel. His very first play was banned and soon afterwards he lost his place at the film school. When the tanks of the Soviet Union roll through the Czech capital Prague in 1968, Brasch and his girlfriend Sanda and other students try to call for protest in the streets of Berlin - and fail. His own father betrays him to the Stasi and allows Thomas to go to prison. After being paroled, he continues to try his hand at poet writing about love, revolt and death. In the GDR, however, you don't want to have anything to do with someone like him.
Luisa, a 20-year-old law student, joins a cell of the Antifa group when she and her friends Alfa and Lenor get to know about an upcoming attack planned by a local neo-Nazi gang. As they try to find out more, the three youngsters delve deeper into the scene linked to right-wing movements and their political connections, to the point where they will understand how much they are willing to go further, in order to defend their own beliefs.
1938. While the Nazi troops march into Vienna, the lawyer Josef Bartok hastily tries to escape to the USA with his wife but is arrested by the Gestapo. Bartok remains steadfast and refuses to cooperate with the Gestapo that requires confidential information from him. Thrown into solitary confinement, Bartok is psychologically tormented for months and begins to weaken. However, when he steals an old book about chess it sets him on course to overcome the mental suffering inflicted upon him, until it becomes a dangerous obsession.