After spending four years in a psychiatric clinic and with a strong phobia of fire, Laura is discharged. However, a perimeter fence prevents him from seeing his daughter Sofía, with whom he strongly wants to rebuild a bond. Laura will gain the tools and strength necessary to unravel her past, overcome her fears and try to recover her daughter.
Atilio begins a new life when his daughter moves him to a nursing home, where he meets Beto, a clever and resourceful man. Together, they sneak out to visit Atilio’s late wife’s grave and accidentally witness a money laundering operation in the cemetery, involving hidden cash in a coffin. Inspired by the chance to change their lives, Atilio, Beto, and Doña Rosa—a sharp woman from the home—team up to investigate the scheme, hoping to seize the opportunity and find new purpose.
This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.
In 2006, a group of thieves performed what is considered one of the most famous and smart bank heists in the history of Argentina. How they robbed the Rio bank is as surprising as what happened afterwards. This is their story.
Luz Palazón is an Argentine theatre, film, and television actress.