Mai Zetterling

Acting

Mai Zetterling

Overview

Known for
Acting
Gender
Other
Birthday
May 24, 1925 (100 years old)
Death date
Mar 17, 1994

Mai Zetterling

Known For

Prejudice and Pride: Swedish Film Queer
1h 40m
Movie 2022

Prejudice and Pride: Swedish Film Queer

A journey through Swedish queer film history.

Regissören: en film om Mai Zetterling
0h 58m
Movie 2015

Regissören: en film om Mai Zetterling

A celebrated movie star, Mai Zetterling stepped behind the camera...

Meeting with Mai
0h 10m
Movie 1996

Meeting with Mai

Mai Zetterling is interviewed in the summer of 1984 in...

Minns ni?
0h 8m
Movie 1993

Minns ni?

A quick overview of Swedish film history, featuring a breathtaking...

Morfars resa
1h 22m
Movie 1993

Morfars resa

Film by Staffan Lamm.

Sellers' Best
1h 0m
Movie 1992

Sellers' Best

One of the all-time greatest comedians, Peter Sellers’ mimicry, timing,...

Hidden Agenda
1h 48m
Movie 1990

Hidden Agenda

In Ireland, American lawyer Ingrid Jessner and her activist partner,...

The Witches
1h 31m
Movie 1990

The Witches

A young boy named Luke and his grandmother go on...

The Making of 'Hidden Agenda'
1h 0m
Movie 1990

The Making of 'Hidden Agenda'

Documentary looking at the making-of and real-life stories behind the...

Maybe I Really Am a Sorceress
0h 46m
Movie 1989

Maybe I Really Am a Sorceress

An intimate portrait of director Mai Zetterling that includes interviews...

Biography

Mai Elisabeth Zetterling ( May 24, 1925 – March 17, 1994) was a Swedish actress and film director. She began directing in the early 1960s, starting with political documentaries and a short film called The War Game (1962), which was nominated for a BAFTA award, and won a Silver Lion at Venice. Her first feature film Älskande par (1964, "Loving Couples"), based on the novels of Agnes von Krusenstjerna, was banned at the Cannes Film Festival for its sexual explicitness and nudity. Kenneth Tynan of The Observer later called it "one of the most ambitious debuts since Citizen Kane." It was not the only film she made that would stir up controversy for its frank sexuality (early pioneer on voyeurism). When critics reviewing her debut feature said that "Mai Zetterling directs like a man," she began to explore feminist themes more explicitly in her work. The Girls, which had an all-star Swedish cast including Bibi Andersson and Harriet Andersson, discussed women's liberation (or lack thereof) in a society controlled by men, as the protagonists compare their lives to characters in the play Lysistrata, and find that things have not progressed very much for women since ancient times.