Peter Weiss’ monumental 1965 stage play, among the greatest artworks on the Holocaust, condenses the testimonies of witnesses and the accused during the Frankfurt Auschwitz Trials of 1963-1965. This ultra-faithful film adaptation builds, across four hours, in its intensity and graphically described detail.
1945. The International Military Tribunal begins its work in Nuremberg. A huge number of people from all over the world come to the trial, which will later be called the Trial of the Century: the city is crowded with journalists, lawyers, translators, witnesses and many participants and employees of the process.
1945. The International Military Tribunal begins its work in Nuremberg. A huge number of people from all over the world come to the trial, which will later be called the Trial of the Century: the city is crowded with journalists, lawyers, translators, witnesses and many participants and employees of the process.
After her boyfriend becomes extremely ill, Mascha re-evaluates her path and decides to leave her previous life behind. But it's only by returning home that she can find peace.
After her boyfriend becomes extremely ill, Mascha re-evaluates her path and decides to leave her previous life behind. But it's only by returning home that she can find peace.
A nearly finished construction site. The wiring is completed, the walls are painted, the final inspections are being done. The construction manager Thomas Zetzsche is proud of his achievement. The prestigious building he created is a modern dream come true. But suddenly that dream begins to crumble as more and more defects appear. Cables run into dead ends, the fire protection malfunctions and entire rooms go missing. Desperately Thomas is trying to fix the building until he finally accepts that the opening date has to be postponed. Now he must confront his own responsibility in this faulty system and draw the necessary consequences
The story follows Lara, a 16 years old girl, and her long and exhausting battle against anorexia. But can you heal someone who doesn't believe they're sick?
The lawyer Franziska Schlüter works for the Aescuria insurance and is responsible for processing applications for disbursement of occupational disability policies. The company policy provides as a guideline to prevent the approval as far as possible. When the widow of a victim, who committed suicide after being rejected, storms the office to loudly accuse these machinations, Franziska begins to doubt the correctness of her work and to rethink. She quits and works as a freelance lawyer to help injured parties legally to get their rights. First she deals with the case of a family in the neighborhood. The father has been in a wheelchair since an accident. However, the Strelaus have not yet seen any money from the insurance company. Initially not taken seriously by colleagues, the shy woman takes on the fight against the health insurance system and has to fight against resistance and above all with her own self-doubt.