On her birthday, Joana's joy turns to despair when her abusive husband discovers her pregnancy and attempts to harm her. Fleeing the city, she finds refuge on a boat with criminals, but realizing the danger, she sees land beyond so leaps into the water and swims to Terceira Island, leaving her life behind. Exhausted on the shore, she encounters Chico, a lost child, during a religious ceremony. Joana arrives with the child, inadvertently becoming mistaken for a saint 'Our Lady of the Sea', revered by the island's faithful.
When a boat loaded with cocaine sinks off his home island, Eduardo sees a risky but exciting opportunity to make money and fulfill impossible dreams.
Twins who have never seen each other find out they were torn apart at birth. A crime was behind the disappearance of one of them. A romance can keep them from being a family. A secret will bring them together again.
This remake of the 1940 film with the same name tells the story of a theatre company, its men and women in love, mistakes and misunderstandings. Chico loves Tatão, who is courted by Artur. Graça loves Chico, but doesn't know he loves Tatão. Santana writes a play for the Grandelinhas that will serve as a guide to Chico passion and convince Tatão that he is a rich count. The play is then staged and they all end up in prison.
Lúcia is raped by her husband and presses charges against him. She fights the Portuguese legal system along with the Prosecutor's Assistant, Maria João Correia, to force her husband, the son of the State's Vice Attorney, into Court. The case takes place in closed session where Lúcia tries to find justice in a predominantly male world.