Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.
Diabolik narrowly escapes Inspector Ginko's latest trap, leaving his partner in crime Eva Kant behind. Furious, Eva offers Ginko her help in capturing him, but the former has to face first the return of an old flame of his, noblewoman Altea.
Six aspiring comedians tired of the mediocrity of their lives, at the end of an evening stand-up course they prepare to face their first performance in a club. In the audience there is also an examiner, who will choose one of them for a TV show. For everyone this is the great opportunity to change their life, for some it could be the last one. The performances begin and each comedian takes the stage with a great dilemma: to respect the teachings of their master, devoted to intelligent and uncompromising comedy, or to twist their numbers to satisfy the much less refined taste of the examiner? Or maybe look for a third way, one of absolute originality? Through the stories of six comedians, Comedians is a reflection on the very meaning of comedy in our time, facing absolutely topical issues.