For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
Roberta is an employee of the Civil Police of Rio de Janeiro who infiltrates an energy realignment clinic to investigate the mysterious death of actress Antuérpia Fox. During the course of the investigation, Roberta will have to deal with the dramas of actress Natasha Ferrero, who is being "cancelled" on the internet, and with the reunion of her great love from the past, the federal police officer Rodrigo, who is investigating a suspicion of international trafficking involving the same clinic. For this mission, she will have the support of Isabela, her therapist, with whom, little by little, she forms a great duo.
Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.
Topless muse in Rio de Janeiro, Ana Paula Nogueira uses the ban on bare breasts and her story to debate freedom and feminism in the city that exported thongs and which has the false reputation of being libertarian.
Maria Gladys Mello da Silva (Rio de Janeiro, November 23, 1939) is a Brazilian actress. She is considered one of the muses of marginal cinema, having acted in several works by filmmaker Júlio Bressane. She is the grandmother of actress Mia Goth.