The story begins with the ambiguous relationship between friends Viola and Luma, who seem predestined to literally enter each other's lives. Born on the same day, in very different situations, they meet years later, united by coincidences that go beyond their birthday. From humble origins, Viola moves with her boyfriend Mavi to Angra dos Reis, where Luma lives a luxurious life and dates Rudá, who ends up meeting Viola by chance. Thus begins the duo's journey, which goes from a passion for recipes to an obsession with the same man, from the immediate connection to the point of starting to live their friend’s reality, 10 years later. A journey divided between complicity and rivalry, which includes them in a love quadrangle and is impacted by a series of circumstances, twists and surprises, such as the secret surrounding a murder.
The film “Amores Pandêmicos” portrays the story of three couples who experience different phases of love during quarantine. As the pandemic continues, the characters are forced to seek new ways to create, love and maintain healthy mental health, which is somewhat impossible.
A story about love and its different manifestations, told through the little boy Marcelino in search of his biggest dream: to meet his mother. Inspired by a famous book, the plot takes place in the 1940s.
For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
When popular Carminha Frufru's party is mysteriously sabotaged, Mônica and her friends become the main suspects, and they will need to overcome their insecurities and reveal their secrets to decipher the mystery.
Manuela is journalist in her thirties who faces love and professional crises. In an unexpected incident, she gets to know Elena, who takes her to a support group for women who love too much or are excessively jealous: the League of those who are Obsessive-Compulsive for Affection (L.O.C.A., Brazilian slang for "crazy"). The therapist seems to be an extremely mature and structured psychologist. Manoela sees this group as a chance to write an incredible article about the current female roles and wishes.
Mariana Ximenes do Prado Nuzzi (São Paulo, April 26, 1981) is a Brazilian actress and producer.