Inspired by Eduardo Coutinho's films, debutant director Davi Kinski proposes the documentary Poemaria, assembled from conversations with 24 personalities. The subject: poetry.
Due to a rare phenomenon, a woman finds herself pregnant with twins by two men. Over time, she strives to keep her family united — and her secrets hidden.
At an elite school, a parent meeting is hastily called after an incident involving students during a football match.
Paz is a self-centered influencer who arrives in the town of Água-Marinha, where she clashes with a local activist and is “canceled” for offensive insults. One hundred years earlier, in 1922, Cecília is facing a forced marriage — a life she doesn't want — in Água-Marinha after her parents’ death. Mysteriously, the universe gives the two women an exit as they are swapped into each other’s bodies.
Paz is a self-centered influencer who arrives in the town of Água-Marinha, where she clashes with a local activist and is “canceled” for offensive insults. One hundred years earlier, in 1922, Cecília is facing a forced marriage — a life she doesn't want — in Água-Marinha after her parents’ death. Mysteriously, the universe gives the two women an exit as they are swapped into each other’s bodies.
The film brings Clarice Lispector’s novel Uma Aprendizagem ou O Livro dos Prazeres to the current days. In the plot, Lóri is a lonely and melancholic woman. She divides her time between her duties as a school teacher and her relationships, which are always fast and shallow. By chance, she meets Ulisses, an acknowledged Philosophy professor, who is self centered and provocative. Although he knows nothing about women, Lóri learns with him how to love and to face her own loneliness.
It's more dificult to love than to be bewitched. The film has as it's central theme the loving separation, but the consequences of this separation are attributed to occult forces that throwing the protagonist in the world of Afro-Brazilian mystical religions.
It's more dificult to love than to be bewitched. The film has as it's central theme the loving separation, but the consequences of this separation are attributed to occult forces that throwing the protagonist in the world of Afro-Brazilian mystical religions.
Martha Vicente de Azevedo Nowill (São Paulo, October 30, 1980) is a Brazilian actress and screenwriter. She began acting at just 18 years old, and works in theater, television and, mainly, in cinema.