Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?
In a typically mixed Baghdadi neighbourhood in 2006, a community of ordinary people try to live their everyday lives amidst the threat of unpredictable violence. At the heart of these intersecting stories we find Sara, a single mother and novelist, who regains her will to write after witnessing the forced exile of her Christian neighbour and best friend Sabiha. With the news of Saddam Hussein's sudden execution shortly before the New Year, Sara and her neighbours brace themselves for an uncertain future. Yet, like a miracle, each is able to sustain a fragile sense of hope.
Photographer Anja Niedringhaus was 26 when she came to Sarajevo in 1992 to report on the war. It's bitterly cold there, there's no electricity, hardly any food, and everyone's lives are constantly in danger. Spanish photographer Sergio takes her under his wing and shows her how to survive in a war zone. Anja reported on the scene with interruptions for almost three years, later she worked in Kosovo and Afghanistan, among other places. In 2001 she switched to the most renowned photo agency in the world, the Associated Press . Her photos end up on the front pages of the major international newspapers, and in 2005 she received the Pulitzer Prize for her reporting from Iraq. In Kabul, she meets the AP's chief correspondent, Kathy Gannon, and the two soon become an inseparable team. But then a devastating attack took place during the Afghan presidential elections in 2014.
Photographer Anja Niedringhaus was 26 when she came to Sarajevo in 1992 to report on the war. It's bitterly cold there, there's no electricity, hardly any food, and everyone's lives are constantly in danger. Spanish photographer Sergio takes her under his wing and shows her how to survive in a war zone. Anja reported on the scene with interruptions for almost three years, later she worked in Kosovo and Afghanistan, among other places. In 2001 she switched to the most renowned photo agency in the world, the Associated Press . Her photos end up on the front pages of the major international newspapers, and in 2005 she received the Pulitzer Prize for her reporting from Iraq. In Kabul, she meets the AP's chief correspondent, Kathy Gannon, and the two soon become an inseparable team. But then a devastating attack took place during the Afghan presidential elections in 2014.
As soon as Jaswinder, the mother of Alice's friend Tarun, discovered a way to avoid plastic, it is attacked and the documents about it, which are also top secret, stolen. Shortly thereafter, it also disappears without a trace. Alice, as the remaining peppercorn, searches for clues and comes across toxic waste companies who want to prevent the documents from being published at all costs. Will you take Alice to Jaswinder ...?
With his uncouth manner, Professor Pohl doesn’t enjoy the best reputation at the university where he works. To make matters worse, he makes a racist remark when student Naima arrives late for his lecture. Unfortunately for him, a video of his verbal outburst spreads like wildfire on the Internet, and the university’s president, Lambrecht, is called to deal with the incident. But Pohl is not dismissed. Instead, he is put to the task of helping Naima prepare for an important debating competition. The lecturer and the student could not be more different, yet they are thrown together to work as a team.