Nico wants to become independent with his neighborhood colleague, Raca, but she doesn't want ties. Fed up with his parents, Nico leaves home and rents a room on the outskirts. Despite the distance, he begins to hang out with Leo, Raca's little brother, a boy who is getting hormones, because he wants to transition into a woman. Nico is torn between the love of his brother or his sister. Meanwhile, their respective families fall apart, because in one there is no love nor in the other fidelity.
In a recognizable world of madness, the world of elite soccer, young footballers become rich and famous overnight with little idea of how to manage it, and cheeky people try to make a living out of it.
Laura Garland lost her husband on the war while she’s pregnant. She lives in a big house which is divided in two. Government pursuits her claiming she must occupy the whole house, if she doesn’t, they will take it from her. Laura leases the house to Ricky, an outlaw that will bring new trouble in her life. At least she has another plan.
Gato lives on a remote farm with his teenage daughter Emma where without even basic communications tools they’re entirely cut off from the outside world. But once Emma comes into possession of a phone, she’s contacted by a party claiming to be working on behalf of her mother, who her father claimed abandoned her at birth. Infuriated, Emma heads off on a journey of self-discovery to reconnect with her mother, all the while Gato and his best pal Sombra (Danny Trejo) race to rescue her from the grim fate she’s unknowingly heading towards.
Uruguay (1972) unavoidably falls into a terrible dictatorship. Diego and Leonardo, two writers of a well-known TV comedy show, struggle to maintain their integrity under the pressure they receive to tone down their political satires against the military. On the side of the oppressors, Rojas, the lieutenant in charge of torturing subversive youth, finds emotional refuge in Susana, a prostitute. Slowly, the lives of all of them are deeply impacted by the yoke of the dictatorship that looms over them.
When her son is accused of raping and trying to murder his ex-wife, Alicia embarks on a journey that will change her life forever.
Argentina, 1975. Laura is only eight years old, but she knows that to survive you have to keep quiet. She shares her days with her mother and the other activists in a house where the clandestine printing of the Evita Montonera is hidden.
Miguel Ángel Solá is a prolific Argentine actor who has made over sixty appearances in film and TV in Argentina since 1973. Solá belongs to the Vehil's dinasty of actors, eight generations of actors originally from Catalonia. His mother was Paquita Vehil and his aunt the legendary Luisa Vehil. His sister Mónica is also an actress. He was born in Buenos Aires and began working in television in 1973 and made his big screen debut with Más allá del sol in 1975. His theater beginnings were in 1971; by 1976 he achieved stardom in Peter Shaffer's Equus with Duilio Marzio. He is well remembered in The Elephant Man (play), Deathtrap (play), Jean Cocteau's The Two-headed Eagle, etc. By the 1980s, he had become a major film actor appearing in major films such as Asesinato en el senado de la nación (1984) and A dos aguas (1988). In 1995, he portrayed the 1920s-era doctor and epidemiologist, Salvador Mazza, in the biopic Casas de fuego. In the 2000s he acted in La fuga (2001), The Impatient Alchemist (2000), La puta y la ballena (2004) and Arizona Sur (2004). He moved to Spain where he has a notable career in theater, movies and TV. Solá married to Spanish actress Blanca Oteyza in 1996.