Pensioner Nikolai Nikolaevich sells his apartment and moves to his daughter in New Moscow. Temporarily, of course, until he finds his own place. But there is nothing more permanent than temporary, especially since the funds to buy a new apartment have disappeared. A naive pensioner was robbed by an Internet fraudster who took all the money from the sale of real estate from his card.
The beginning of the 2000s. New realities, instant adaptation to the proposed circumstances, enchanting careers, unexpected unknown professions... All this could have happened only at the turn of the century, when the Soviet system instantly went out of fashion, replaced by the lightning invasion of the Western world in a grotesque parody. The main character of the film is an inconspicuous girl Nadezhda Strakhova. Nadezhda, oddly enough, is married. Her husband, Vitalik, a provincial, married a childless Nadezhda for the sake of a Moscow residence permit and a typical "Khrushchev" on the outskirts of Moscow. Nadezhda works two jobs to support her small family: in the mornings in the district library and in the evenings in the theater wardrobe. One day her life changes dramatically.
Zhanna returns from Moscow to the city of her childhood, having learned that her father is dying. She did not communicate with him for the last 20 years after he left his family. Zhanna does not have time to catch him alive and plans to return to Moscow immediately after organizing the funeral. But the story takes a new turn: the father's corpse comes to life. He demands to spend the last day together.
Life on Earth has changed after the visit of alien ships hovering in various parts of the planet. Their passengers — biopages or "Vitaliki", as they are popularly called — produce a substance called "prak". Its purpose, as well as the purpose of the aliens' visit, is unknown, but nurse Nina (Irina Salikova) from a quiet provincial town hopes to help her sick father with the help of prak. After contacting Vitalik, Nina learns the truth about extraterrestrial beings, which completely changes her life.
During the swimming training camp, coach Sofia and her husband, coach Trofim, take their niece, an orphan, to raise. Anya shows hope, but does not talk after the death of her parents, which becomes the subject of harassment among other athletes. By standing up for Dima, one of the guys on the team, she gets her first real friend. In parallel, a chain of irreversible consequences begins, which can destroy the relationship of Trofim and Sophia.
Antonina Milyukova is a beautiful and bright young woman, born in the aristocracy of 19th century Russia. She could have anything she'd want, and yet her only obsession is to marry Pyotr Tchaikovsky, with whom she falls in love from the very moment she hears his music. The composer finally accepts this union, but after blaming her for his misfortunes and breakdowns, his attempts to get rid of his wife are brutal. Consumed by her feelings for him, Antonina decides to endure and do whatever it takes to stay with him. Humiliated, disgraced and discarded, she is slowly driven to madness.
The film follows two student cinematographers who, as the war approaches Moscow, refuse to be evacuated and instead volunteer to be front-line cameramen capturing the horrors of war and heroism of the soviet soldiers. At the same time, we witness another storyline taking place in the US. After the premiere screening of the already completed documentary “Moscow Strikes Back”, one of the members of the Academy Awards selection committee is trying to persuade his fellow colleagues to establish a new category of Best Documentary in the upcoming Oscars event.
Tonya is a bus-driver in a village on the outskirts of Nalchik, a modest city in the republic of Kabardino-Balkaria. Together with her daughter, Tonya is eagerly awaiting the return of her only son, who is fighting for a Russian private military contractor in Syria. When Tonya is told that he has been killed in action, she refuses to believe it. She is sure that there was a mistake and her son is alive. She begins a grueling public battle with the contractor and the authorities, demanding the return of her son. When it becomes obvious that all efforts to silence Tonya are fruitless, a strange young man arrives on her doorstep...
Tonya is a bus-driver in a village on the outskirts of Nalchik, a modest city in the republic of Kabardino-Balkaria. Together with her daughter, Tonya is eagerly awaiting the return of her only son, who is fighting for a Russian private military contractor in Syria. When Tonya is told that he has been killed in action, she refuses to believe it. She is sure that there was a mistake and her son is alive. She begins a grueling public battle with the contractor and the authorities, demanding the return of her son. When it becomes obvious that all efforts to silence Tonya are fruitless, a strange young man arrives on her doorstep...
Tonya is a bus-driver in a village on the outskirts of Nalchik, a modest city in the republic of Kabardino-Balkaria. Together with her daughter, Tonya is eagerly awaiting the return of her only son, who is fighting for a Russian private military contractor in Syria. When Tonya is told that he has been killed in action, she refuses to believe it. She is sure that there was a mistake and her son is alive. She begins a grueling public battle with the contractor and the authorities, demanding the return of her son. When it becomes obvious that all efforts to silence Tonya are fruitless, a strange young man arrives on her doorstep...