Anica Reljic, a former police inspector who now works in a call center, receives a call from Sonja Tosic, a rich single mother who wants to know the identity of the person who is threatening her on the phone. As Anica investigates the threatening calls, she realizes that they are connected to a criminal group from her past life. She tries to warn Sonja, but Sonja disappears, prompting Anica and Tiana, Sonja's rebellious daughter, to go in search of her. They soon discover that Sonja may be the key to uncovering the truth behind an environmental scandal rocking the country: the mysterious poisoning of three boys.
Anica Reljic, a former police inspector who now works in a call center, receives a call from Sonja Tosic, a rich single mother who wants to know the identity of the person who is threatening her on the phone. As Anica investigates the threatening calls, she realizes that they are connected to a criminal group from her past life. She tries to warn Sonja, but Sonja disappears, prompting Anica and Tiana, Sonja's rebellious daughter, to go in search of her. They soon discover that Sonja may be the key to uncovering the truth behind an environmental scandal rocking the country: the mysterious poisoning of three boys.
Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.