In the mid-80s, Aegokeros publishing house intended to publish a magazine about film and the theater. Theo Angelopoulos and Nikos Panayotopoulos had been chosen by the editorial board for the first issue. A summer evening at Angelopoulos house in the Mati area, Antonis Kokkinos and Yannis Soldatos recorded a three-hour interview between Theo and Nikos, within the frameworks set for them, in order to be included in the magazine. The interview brought to the fore their common course, even though completely opposite from one point onward. Thirty-five years later, the unpublished conversation has been found; both the tapes and the transcripts! This conversation stands as a valuable manifestation of the creators’ views regarding their own, until then, existing and future work, as well as a thorough insight into the New Greek Cinema, and into World Cinema in general.
Nikos Panayotopoulos was born on November 6, 1941, in Mytilene, Greece. He studied film making in Athens and started his career as an assistant director in Greek and foreign productions. In 1960-1973 he lived in Paris where he attended film courses at the filmology institute of Sorbonne. In 1973 he returned to Athens. His first film The Color of Iris (1974) ("The Colours of Iris") was the most unexpected creation of the New Greek Cinema. Since then he lived and worked there, and his beloved wife Marianna Spanoudakis, always by his side, participated faithfully in all of his productions, mainly as a costume designer and also as producer and actress. Since 1974 he wrote and directed films, with a special narrative style in a thematic approach that deals with issues such as erotic delusion and deterioration of human relations. His films have participated in national and international festivals and have received important distinctions and prizes. His death came just a few weeks after the release of his film Rembrandt's Daughter (2015) ("Rembrandt's Daughter").