25 years ago, the Nagiri Brothers—once feared nationwide—lost their family’s backbone when their father, Tsuyoshi Nagiri (played by Kim Sunjin), was suddenly assassinated. “Even as yakuza, we never strayed from the path of humanity. Everyone in the Nagiri family is our comrade,” were the words their father left behind. Carrying on his will, the second son, Kaname Nagiri (Choi Chul-ho), took over the Nagiri-gumi. However, just as the ex-Nagiri member-turned-politician Masashi Fukuzawa (Koichi Miura) is preparing for an election, and Danba Takeshi (Daisuke Nagakura), head of the Tanba-gumi under the same Doushinkai syndicate, is released from prison, a violent incident breaks out—triggered by the drug trade. When their youngest brother Minato (Seiji Fukushi), a respected figure in Osaka, falls into danger, the eldest, Shun Nagiri (Yoshiyuki Yamaguchi), steps in to save him. The brothers reunite and head to Kaname’s side—just as he’s about to clash with their former allies…
A hearing-impaired woman with dreams of becoming a professional boxer due to the pandemic is threatened closure of her boxing club and the illness of its ageing president, who has been her biggest supporter, push her to the limit.
A filmmaker gets into a dispute over the content of his film. This angers the chairman of a major company in the industry so much that the filmmaker is almost kicked out of the business. Stuck between a rock and a hard place, he is visited by an 18-year old girl. She brings 30 million yen in cash with her, and asks him to make a film.
Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.
It depicts two high school girls trying to change the atmosphere of the world with their ideas by setting up a camera in the town and transmitting the footage via SNS.
It depicts two high school girls trying to change the atmosphere of the world with their ideas by setting up a camera in the town and transmitting the footage via SNS.
It depicts two high school girls trying to change the atmosphere of the world with their ideas by setting up a camera in the town and transmitting the footage via SNS.
Hikari, a trans woman, works and lives in Tokyo, but despite being understood by her friend and coworkers, there remains an underlying lack of confidence and feeling of unfulfillment. She makes the decision to contact her high school crush, Takashi, hoping that he will see her for the person she is now.
Natsuko has been in a cold relationship with her husband, Kensaku, for many years. One day he dies suddenly, leaving Natsuko alone with a wizard, Mari, who appears and offers to grant up to four wishes. Natsuko requests to go 50 years back in time to the past before she met her husband. There, Natsuko meets young Kensaku, her young self, and her father Shintaro. Natsuko pretends to be someone she is not and attempts to uncover hidden truths while living in the past. What awaits Natsuko at the end of her time travel? And what will be her last wish to the wizard?
Natsuko has been in a cold relationship with her husband, Kensaku, for many years. One day he dies suddenly, leaving Natsuko alone with a wizard, Mari, who appears and offers to grant up to four wishes. Natsuko requests to go 50 years back in time to the past before she met her husband. There, Natsuko meets young Kensaku, her young self, and her father Shintaro. Natsuko pretends to be someone she is not and attempts to uncover hidden truths while living in the past. What awaits Natsuko at the end of her time travel? And what will be her last wish to the wizard?