For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
Norma Aparecida Almeida Pinto Guimarães d'Áurea Bengell (Rio de Janeiro, February 21, 1935 – Rio de Janeiro, October 9, 2013) was a Brazilian actress, filmmaker, producer, singer and songwriter. Considered one of the greatest muses of Brazilian cinema and theater in the 1950s, 1960s and 1970s, Norma began her career in the early 1950s, being launched into the artistic world through revue theater by producer Carlos Machado. She acted in 64 films during her career, several of them in Europe.