Story of a small Kazakh community in the 1930s terrorized by a Red Army soldier whose task it is to force them to collectivize and to eliminate “kulaks.”
The first part of a historical film dilogy based on the story “Emshan” by Maurice Simashko. XIII century. Equal to God, Sultan Beybars — the ruler of Egypt, who has the largest fleet in the Mediterranean, crushed the Crusader troops and countless hordes of Genghis Khan’s descendant – recalls the life path he passed before ascending to the throne of the ruler.
The second part of a historical film dilogy based on the story “Emshan” by Maurice Simashko. XIII century. Equal to God, Sultan Beybars — the ruler of Egypt, who has the largest fleet in the Mediterranean, crushed the Crusader troops and countless hordes of Genghis Khan's descendant – recalls the life path he passed before ascending to the throne of the ruler.
In the vast expanses of Kalmyk, love is born between the young factory worker Naran, who came for sakman (cattle time), and the shepherd’s granddaughter Amulanga.
There is a rather bizarre planet in the universe. The main character, who possesses magical powers, flies to Earth, where he meets and falls in love with an ordinary earthly girl.
XIII century. Prince Daniel of Galicia returned from the Horde, where he graciously have allowed to rule in Galicia in exchange for recognition his submission to Khan. But he can not accept the humiliation. He begins to prepare for war with the hordes of Batu, who conquered many Russian principalities. The Hungarian king, Lithuanians and Poles promised to support Daniel, but Pope Innocent IV refuses to lend a hand. Daniel's army is compelled to reflect the invasion of nomads herself.
1734. In the north of the Urals, in the impenetrable forests of Orthodox Russia, one of its small nationalities lives — the Voguls, who have preserved the rituals and customs of their ancestors. Like any nation, the Voguls have their own history, traditions and gods, the main one of which is the golden goddess, the patroness of the Voguls. Once upon a time, many centuries ago, she stood on the top of a mountain, and anyone could come and ask for her help.
An old gamekeeper introduces his nine-year-old grandson Tuyak to the surrounding nature. The boy collects books dedicated to the life of animals. And once, together with their grandfather, they were leaving a crane straggling from a flock.
Nurmukhan Zhanturin was born in the settlement of Kondaurovo, Guriev Region (now known as Atyrau Region, Kazakhstan) on April 22, 1928. At the age of 14 he started working as an operator's assistant in a Guriev oil prospecting group, and later attended motion picture operator courses in Alma-Ata. He graduated from Alma-Ata Movie School in 1950 and the Acting Dept. of the Ostrovsky Institute of Performing Arts (Tashkent) in 1952[4] and soon joined Auezov Theater. His first screen roles go back to 1948, while 1967 saw Zhanturin officially employed at Kazakhfilm Studios. He returned to the theater in 1988 and continued to work there until his death in 1990. Zhanturin's best-known roles include Chokan Valikhanov (eponymous play by Sabit Mukanov), Kodar (Kozy Korpesh — Bayan Sulu by Gabit Musirepov), Kebek and Syrym (Enlik-Kebek and Karakoz by Mukhtar Auezov), Arman (One Tree Does Not Make a Forest by Abdilda Tazhibaev), Kaben (Unquenchable Fire by Zeinulla Kabdulov), Sanzhan (Unfunny Comedy by Akim Tarazi), Doctor (The Forgotten Man by Nâzım Hikmet), Sintaro (A Woman's Life by Kaoru Morimoto), Molière (The Cabal of Hypocrites by Mikhail Bulgakov), as well as Iago and Macbeth in Shakespeare's Othello and Macbeth (the latter in a production at the Seifullin Theater in Karaganda). Mark Donskoy spotted Zhanturin's talent when scouting the Central Asia for actors for his movie Alitet Leaves for the Hills (after a 1950 novel by Syomushkin). Nurmukhan played the role of a young man named Tumatuge. This first screen role paved his way to popularity. Nurmukhan's other well-known roles included Kerim (Daughter of the Steppes, 1954), Dzhoomart (Saltanat, 1955), Alzhanov (On the Wild Coast of the Irtysh, 1959), Abakir (Heat, 1962), Tagay (Dzhura, 1964), Tanabay (The Trotter's Gait, 1968), Ablaykhanov (The End of the Ataman, 1970), Kurmangazy (Kurmangazy, 1974). He first appeared as Shoqan Walikhanov in the 1957 movie His Time Will Come (directed by Mazhit Begalin). Zhanturin's eponymous role in Sultan Baybars brought him a prize for Special Achievements in Acting (shared with Nonna Mordyukova) at Sozvezdie-90 USSR national festival. He performed a total of more than 50 roles on screen
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