Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.
May 1968. Charles de Gaulle is 77. His great career is behind him. Obsessed by France's prestige, he's looking with distance to the student demonstrations. An intimate portrait of the General through the tale of 68'events.
Antoine Sforza, a thirty-year-old young man, left his village ten years before in order to start a new life in the big city, but now that his father, a traveling grocer, is in hospital after a stroke, he more or less reluctantly accepts to come back to replace him in his daily rounds.
At the beginning of the 20th century, the arrival of a man on the Breton coast near Saint-Malo fills him with awe as he observes the devoted, courageous sailors and their wives waiting for them on the shore. Among them is a young laundress, whose charm does not leave him indifferent, waiting for her beloved, who left for sea months ago. When the ship returns, her fiancé is dead. He then decides to join these valiant men and, through his dedication, prove his love to the young woman.
As part of an intergalactic coalition, a well-meaning space alien volunteers to bring a message of self-actualization and harmony with nature to the one planet rejected by all her peers as incorrigible: Earth.
Mendizábal, a reputed hitman, is commissioned to eliminate Rodolfo Kulpe, a small-time criminal.
Jean-Louis is an naive, amiable orphan who spent his life with his elderly and very strict grandfather. Jean-Louis was a 25-year old virgin when a free-spirited young Parisian woman was temporarily stranded in his village after a bus broke down. She left him a changed man, and she also left a match book from a fast food restaurant called Fast Burger. Soon after his grandfather passes away, the innocent rube Jean-Louis hops on his bike and embarks upon a quest to Paris to find this enigmatic woman. But he is not prepared for the size of Paris, and instead ends up working at a Fast Burger outlet himself. Jean-Louis is a simple soul and freely expresses himself without guile. For some reason this endears him to the staff and management; soon he has been promoted into the upper echelons of the company. One day he meets a rather ditzy Metro security guard, Henriette, who is also at sea in the big city. The kindred spirits click and a sweet romance ensues.
Mathilde (Dominique Blanc) has had a number of children, but is still an attractive woman. One day her husband simply picks up and leaves without any explanation whatever. At about the same time, she is involved at an accident at her workplace which makes her strongly aware of the passage of time. Can she once more know the love of a man? She has enough suitors: Charlie, though dull, has been in love with her since she could remember; Jacques is the father of one of her children; Mano has moved to the north of France from Spain, and wants to refurbish her house for her. Without rushing, she carefully considers each man (and her absent husband) in the context of her life, what she wants from it, and what is possible.
Paul Crauchet (14 July 1920 – 19 December 2012) was a French actor. As a young man interested in aviation and rugby, Paul Crauchet discovered a passion for the theatre at the age of 23. He settled in Paris in 1945, he studied under Charles Dullin for three years and began on stage in 1949. He then worked at the Théâtre National Populaire with Jean Vilar. Crauchet appeared in the first film by Éric Rohmer, The Sign of Leo, in 1959, and then in 1962 in The War of the Buttons of Yves Robert. It is in The Wise Guys of Robert Enrico in 1965 that he became noticed. He had a very long career during which he worked with many directors, such as Alain Resnais, René Clément, Jean-Pierre Melville, Jacques Deray and José Giovanni. In 1983 he starred in Les Bancals. Source: Article "Paul Crauchet" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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