The 13th Clinical Hospital as we know it does not yet exist, and humanity is just beginning to come into contact with supernatural phenomena. To be ahead, the USSR is beginning to look for doctors who are ready to go beyond conventional medicine. One of these doctors is Yana, a neuropsychiatrist who is going through a family drama.
The year is 1906. Pyotr Stolypin, who has just been appointed Minister of Internal Affairs of the Russian Empire, arrives in St. Petersburg. A group of maximalist revolutionaries is developing a plan to kill the "enemy of the revolution." But how to get close to such an important person? Who will emerge victorious in this confrontation — the fanatical, firmly convinced supporters of the revolution, ready to lay down their lives in the name of alleviating the fate of oppressed workers and peasants, or the all-powerful chairman of the Cabinet of Ministers, working tirelessly to restore order in a country torn apart by political violence.
Anatoly Lunin is a former clinical psychologist, and now a consultant in the operational investigation group on high-profile crimes. A unique method based on the peculiarities of his psyche helps Lunin solve crimes. He can get used to the role of the criminal, literally get into his head, and restore his motives. Anatoly knows that his abilities are a mental illness that he has to hide. His boss, Colonel Pokrasov and journalist Drapova seek to expose the hero, but Lunin is saved by the intercession of the high authorities — General Mordvinov. Anatoly has a difficult relationship with his colleague, a full—time criminologist psychologist Arina Solodovnikova. However, with each new case, her opinion about him changes — Arina is convinced of Lunin's professionalism and unusual talent.
After the death of Alexey Gradov, the owner of a large construction holding company, his heirs enter into a struggle for a billion-dollar fortune with a former official and business partner of the deceased. On the family side, the war is led by Gradov Sr., the patriarch of the family, who founded the family business in the 90s, but retired. As an ally, he takes the financier and strategist of the company Nadezhda, who was not only a colleague, but also his son's mistress. In addition to the redistribution of assets, the Gradovs — wives, children, grandchildren — are busy identifying old grievances and accumulated claims against each other. They have everything—money, power, connections, status. But that's not enough for them. In the pursuit of inheritance, they are ready to tear apart not only the enemies of the family, but also each other.
The series, like a stage play, is divided into three acts, with a three-year period between each of them and tells a story that will shatter viewers' perceptions of the actors' lifestyle and offer a glimpse into their reality with all their fears, desires, and goals. It will become clear how those whom everyone is used to consider carefree live and work when the stage lights go off. And how actors, more so than any other professionals, can hit rock bottom despite being on their peak the day before.
Colonel Alexander Volkov teaches at the Academy of the FSB, he is seventy, he is retired. Captain Igor Kamorin is an active operative, he is twenty-seven. Kamorin is a fan of electronic gadgets, while Volkov does not know how to use WhatsApp. Kamorin believes in progress and believes that Volkov's "tube brains" have become obsolete in the last century, while Volkov is sure that Kamorin's "clip thinking" is not even suitable for solving crossword puzzles. However, in tandem, these two will do the impossible: combine the old school and modern technology.