When a project to build a thousand flats in Oslo is put out to tender, architect Julie has an idea: why not convert empty underground car parks into residential buildings? A pitch-black, keenly observed satire about an all-too-near future.
Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.
The troubled artist Gritt is struggling for relevance and belonging in an unwelcoming society, but then she undergoes a radicalization process in the name of art.
Petronella Barker (born 29 October 1965) is a British-born Norwegian actress. She was born in Colchester, England, but grew up in Fredrikstad, Norway. While still studying at the Theatre Academy in Oslo (1985–1988), she had her debut in the Russian-Norwegian co-production Dragens fange (Trees Grow on the Stones Too, 1985). Her breakthrough as a movie actress came with the dystopic Sweetwater (1988), followed by Havet stiger (The Ocean Rises, 1990). In 1990 she made her stage debut as Perdita in Shakespeare's The Winter's Tale at Centralteatret. Since then she has acted in several plays, also for Oslo Nye Teater and The National Theatre. Meanwhile she has continued doing roles both for TV and film, most prominently the movie Thranes metode (Thrane's Method, 1998), and the TV police series Fox Grønland (2001). Description above from the Wikipedia article Petronella Barker, licensed under CC-BY-SA, full list of contributors on Wikipedia.