The documentary series tells about the history of the new Russian cinema in the context of events that changed Russia forever. The narrative is built in chronological order: from 1992, when the first film was released, where "Russia" was listed in the output data instead of "USSR", to the present. Directors, actors and producers will share their memories of the path in Russian cinema. Among them are Fyodor Bondarchuk, Gosha Kutsenko, Evgeny Tsyganov, Zhora Gooseberry, Pyotr Buslov, Elena Lyadova, Vladimir Khotinenko, Valeria Guy Germanika, Sergey Selyanov, Egor Konchalovsky and many others.
Leonid Ivanovich - The Godfather. In this world, he loves only two things: to be the Godfather and his daughter Mira. In order not to anger the boss, Mira is bypassed by everyone. Except for Sasha, who knew nothing about the family, and just fell in love at first sight. Now he has a difficult task - not to lose his hand and heart before the wedding.
A wealthy pharmaceutical business owner, Edik is used to managing and controlling. But fate brings him an unexpected surprise. The unemployed artist Petrovich, who decided to say goodbye to life, falls from the roof of a skyscraper onto a brand new expensive businessman’s car. Is the miserable life of a loser worth that kind of money? Moreover, he will never be able to return them. But debt must be received at all costs, for Edik it is a matter of principle, forgiving others is not in his rules. Edik decides that Petrovich will work for him for free, he has every right to do so, because he is a real master of life. Or does he only think so, and everything can change at any second and turn over exactly the opposite?
A wealthy pharmaceutical business owner, Edik is used to managing and controlling. But fate brings him an unexpected surprise. The unemployed artist Petrovich, who decided to say goodbye to life, falls from the roof of a skyscraper onto a brand new expensive businessman’s car. Is the miserable life of a loser worth that kind of money? Moreover, he will never be able to return them. But debt must be received at all costs, for Edik it is a matter of principle, forgiving others is not in his rules. Edik decides that Petrovich will work for him for free, he has every right to do so, because he is a real master of life. Or does he only think so, and everything can change at any second and turn over exactly the opposite?