After her divorce, Kariya Mako returned to work as a contract editor for an economics magazine. There, she is ordered to be in charge of a serialization based on the theme of women in poverty. She interviews people living in various difficult situations, and it gradually makes her realize that this is a widespread problem that she herself is not entirely impervious to, as she is also someone dealing with employment instability while struggling to raise her children.
Nao Dorokawa lives in a poor and harsh environment. The only place where she can prove herself is where she has intense and serious physical fights. She keeps overusing her body as a tool in her fights. Due to this, she experiences shocking tragedies on her body, one after another.
Maejima Satsuki works part-time at a garden centre in Tokyo. While her aspiration is to be a voice talent, she is on the verge of giving up. Satsuki has never been serious about what she does. It is the same with romance. However, she meets Morishita Riku, who is a garden designer. After a terrarium that she made captured his attention, Satsuki ends up helping out with a garden project he has undertaken. Before long, the two of them become a couple. Then, the gardener, Shiraishi Yuma, joins the project, and Riku is greatly shaken. Satsuki is unaware of their reunion. The feelings of the three of them intertwine as they focus on completing the garden. Satsuki eventually makes a choice.
Spanning locations in Tokyo, Hiroshima, and Hokkaido and featuring interviews with cast members and rare behind-the-scenes footage, it captures the creative collective journey of the filmmaking team.
Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.