Ecology, equality, sustainability: Anita and Sarah pursue lofty political goals as they establish a new feminist party. By contrast, the men who are infected by a new type of virus tend to have less honorable intentions. The consequences: sexual obsession, molestation, and death. Urgent effort is put into developing a vaccine. But should the male sex be saved at all?
Today, Mel (34) belongs to the winners in life, but that wasn’t always the case. The thought of her own past so upsets the self-made millionaire’s that she summarily buys the large panel systems-building where she grew up. She would like to come to terms with her history, but the past is a stubborn beast.
After the birth of her first child, Diane disappears in an unknown city, but her body reawakens her memories and what she is fleeing from.
Rainer toils by the sweat of his brow on a building site. His first job as site manager is his much-needed big break. Rising rents in the city have already forced him, his pregnant wife and 13-year-old daughter Doreen to move into a little house in the outskirts which needs renovating. At first, Doreen is not thrilled about her new life but then she meets her neighbour Mara, a girl whose parents are as rich as they are narrow-minded. Before long the new friends are playing with fire. Mara incites Doreen to play some nasty tricks and also entangles her in a theft.
Richard Wagner is working on his new opera "Tristan and Isolde". Mathilde Wesendonck and her husband, the silk-merchant Otto Wesendonck venerate Wagner. Mathilde is turning from a loving mother into a muse of the new music.
Richard Wagner is working on his new opera "Tristan and Isolde". Mathilde Wesendonck and her husband, the silk-merchant Otto Wesendonck venerate Wagner. Mathilde is turning from a loving mother into a muse of the new music.
This is a story set in the distant past, in the seventeenth century, during the Thirty Years’ War. In the city of Nordhausen, in the Harz Mountains, life is cheap, and the prevailing class divisions and interpersonal relations increasingly intense. The children are taken away from their parents by force, and when they return after many years, they seem to be strangers to them. Yet this is also a story set in modern times where people are still incapable of learning the lessons left for them by the previous generations of cruel divisions. The film is a cinematic experiment dealing with the beauty, fragility, and imperfection of human nature through archetypes and myths.
As CFO, Alexander Meier fights for the survival of the long-established Walser company – dutifully, quickly and perfectionist to the point of self-abandonment. When Hans-Werner Brockmann, an unscrupulous top manager, is appointed, he gets involved in a power struggle that increasingly throws him off track. Before the ruins of his existence, Alexander sees only one possibility left to take revenge on Brockmann.