The time is 1945-46. 10 year old Eda and his friend Tonda live in a small village outside Prague. In school, their class is so wild and indisciplined that their teacher quits and is replaced by the militant Igor Hnidzo. He is very strict – but also very fair. His weakness though, is his interest in young women.
A young man has led his whole life with his grandfather. When he was in school, he was the only one who was refused to join the Youth Brigade, since his father was sentenced to death for spying. When it is time for him to do the compulsory military service, he has to do it in a platoon for "unreliable" persons.
Reviewers found this somewhat surreal film so visually stunning as to be worth watching even when it was not clear to them what was going on. In the story, Jozef Schrevek is a man with unusual powers which he wishes to pass on to his son before his death, which is coming soon. Unfortunately, his son is much more interested in boozing and womanizing and being a well-known habitué of nightclubs, than in taking his father seriously and receiving his powers and the responsibilities which come along with them. The tension between the two escalates when a young woman enters their lives.
At the beginning was the Slovak television series Lekár umierajúceho czasu (Doctor of Dying Time), dedicated to the Rudolphine-era scientist Jan Jesenius. He ended up on the scaffold along with other gentlemen after losing the anti-Habsburg uprising. When director Miloslav Luther conceived the idea of making an abridged version of the footage for cinema, he had to not only rebuild the storyline but also dub it into Czech. However, the result was only an illustrative puzzle, describing the various stages of the hero's turbulent life.
The film about curious children who discover a sunken statue of Masaryk in a disused well was interfered with by the events of November and the filmmakers tried to incorporate their echoes into the flow of the narrative. However, the result is at times confusing, as the originally childish adventure has thus grown into a naive social poster child.
The story of six men and one woman who, while exploring the underground part of an old palace, discover that they are trapped here and that there is no return. One can survive here, but is mere survival life? This is the question each of them asks, only the answers differ. A guide who is the epitome of a dictator type takes charge of the group. In a liminal fantasy situation, the characters of other, mutually unknown people are tested over time.
Otakar Vávra dedicated his latest film to events accompanying the devastation of the first World War. It takes place in representative centers of power, in the courts of Vienna, Berlin and Moscow. In parallel, it develops the fate of the Czech archivist, who will take part in the Serbian anti-Austrian branch.
Rudolf Hrušínský was an acclaimed Czech actor during his country's era of communism. He was born in Nová Včelnice to Hermina Červičková and Rudolf Hrušinský (original name Rudolf Böhm, also took the stage name Otomar Otovalský). He was born, literally, back stage during a showing of the play Taneček panny Marinky. Initially he travelled from place to place, wherever his father could find a gig, but eventually his family settled in Prague. He dropped out of law school to pursue acting. Initially he starred in minor plays, but managed to escalate to famous film roles, many of which won him fame abroad
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