Inside a warehouse in Palermo, a group of people smashes a man’s arm to pieces with a wheelie bag packed with weights. This is the method used by an amateur criminal organization that fractures the limbs of its willing victims before staging fake accidents and raking in the insurance payouts. Vincenzo recruits the individuals from among the down-and-outs that haunt the city streets, where Luisa is a habitué, since she gets her crack there. Vincenzo’s problems suddenly get worse, though, after a series of mistakes shut him out of the gang, and Luisa is now his only chance: he convinces her to have her bones broken.
In October 1958, the Sicilian newspaper L’ORA coins the term “MAFIA” for the very first time to denounce the endemic organized crime in the region. Shortly thereafter, a bomb detonates in front of the editorial offices; only two days later the daily reappears with the headline: ‘The Mafia may threaten us, our investigation continues.’ Inspired by true events, L’ORA takes place in Palermo of the late 50 ́s and early 1960s. Newly minted Editor-in-Chief with his group of fearless journalists focus their investigation on organized crime and its reach into every corner of church and society.
It follows Gaia, who works in a funeral home and one day something unexpected happens.
After witnessing the mafa’s murder scene in Sicily, Calogero becomes a protected man and is sent to a small town in the Alps. Soon after, the killer he reported, now an informant, comes to the same town and the sleep with the enemy begins.
With the continuous arrival of migrants to Palermo, a councilor becomes the legal guardian of hundreds of children while also dealing with her own family problems.