In November, 2019, the planning and production of the live action version of the national hero manga "Kinnikuman", directed by Sono Sion, was in progress. "Kinnikuman" was said to be impossible to adapt but it's now said that it will be a great project. Maeda Gordon, while training at the gym, is contacted by the producer of "Kinnikuman", asking him to appear in the movie. However, there's a hidden past attached to this film and the actor begins looking into the mystery.
Directed by Arata Oshima, son of rebel filmmaker Nagisa Oshima, who had praised Sono's early work before his passing, this documentary gives insight into the man, the poet, the painter, the scriptwriter, the husband and the boy who will eventually grow up to be the Sion Sono. Lineage, history and the past meeting the present are themes in this film in which Oshima connects the dots in Sono's creative life by taking the camera to the site of his upbringing and following the production of his most recent film The Whispering Star.
High school student Yoshio Kamogawa suddenly gained the power to read other people's minds. One day, he receives mail from Sae Asami in Tokyo asking for his help. Yoshio Kamogawa loves Sae Asami. Yoshio Kamogawa goes to Tokyo and infiltrates the high school where Sae Aami attends. Yoshio Kamogawa then becomes involved in a strife between 3 different groups as he tries to save Sae Asami. Shizuka Tachibana also falls in love with Yoshio Kamogawa.
In Notsu, Oita Prefecture, there are many people with supernatural powers. High school student Yoshio Kamogawa (Shota Sometani) is one of them and can read other people's minds. Yoshio uses his powers for trivial reasons.
Making of documentary for Sion Sono's magnum opus "Love Exposure".
In future Tokyo, a young woman in the privatized police force tracks down her father's killer while battling against mutant rebels known as engineers.
Sion Sono (園 子温 Sono Shion, born December 18, 1961) is a Japanese filmmaker, author and poet. Best known on the festival circuit for the film Love Exposure (2008), he has been called "the most subversive filmmaker working in Japanese cinema today".
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