Fourteen-year-old Antonio was living with his father when suddenly one day his father didn't come home and didn't respond to his messages or phone calls. Antonio learns from a neighbor that his father has been hospitalized due to a motorcycle accident, and since then he has had to cope with life on his own; in addition to studying for schoolwork and feeding himself, he also has to spend money on fixing his car....... It is not easy to get through to the day when his father is released from the hospital, and Antonio discovers that his father has gone to the police station, and it turns out that the car accident has another hidden agenda...
A Californian backpacker travels to Buenos Aires to pay homage to the Argentine pirate who conquered his hometown of Monterey in 1818. Along the way, he becomes entangled in a polyamorous relationship with a gang of young actors who plot to kidnap the U.S. Ambassador.
Paula & Azul. A funeral, a family secret and a road trip that will change their lives forever.
Lava (2019), the animated film Ayar Blasco presented at the 34th edition of the Mar del Plata Film Festival, left many subplots unresolved in a sci-fi narrative in which an alien civilization dominated the planet through technological devices. This incompleteness, which could then be attributed to the director’s aesthetics, always free and prone to absurdity, was actually a pause that now, four years later, is resumed. The protagonist continues to be Débora, a somewhat insecure tattoo artist who ends up involved in the resistance when a new batch of invaders threatens to wipe out every single record of the human race. With the childlike strokes and the uncontrollably innocent humor characteristic of him, Blasco continues to shape his own epic, a hallucinated version of El Eternauta, with click beetles and all.
Lava (2019), the animated film Ayar Blasco presented at the 34th edition of the Mar del Plata Film Festival, left many subplots unresolved in a sci-fi narrative in which an alien civilization dominated the planet through technological devices. This incompleteness, which could then be attributed to the director’s aesthetics, always free and prone to absurdity, was actually a pause that now, four years later, is resumed. The protagonist continues to be Débora, a somewhat insecure tattoo artist who ends up involved in the resistance when a new batch of invaders threatens to wipe out every single record of the human race. With the childlike strokes and the uncontrollably innocent humor characteristic of him, Blasco continues to shape his own epic, a hallucinated version of El Eternauta, with click beetles and all.
Correa is a retired boxer who spent much of his life running "errands" for Bernal, a violent mobster, who was also his former manager. A mistaken murder and his loyalty led to a few years in prison. Upon leaving him, he decides to turn his life upside down with Rosa, a prostitute who is the victim of a trafficking network commanded by Bernal and the police.
While her girlfriend is in the hospital in a coma state after find her floating in the bathtub without vital signs, Clara stars on a path of physical and psychological transformation, with the goal of possessing her in some way.
While her girlfriend is in the hospital in a coma state after find her floating in the bathtub without vital signs, Clara stars on a path of physical and psychological transformation, with the goal of possessing her in some way.
When her son is accused of raping and trying to murder his ex-wife, Alicia embarks on a journey that will change her life forever.
Sofía Gala was born on January 24, 1987 in Autonomous City of Buenos Aires, Argentina as Sofía Gala Castiglione. She is an actress, known for Los Roldán (2004),Tetro (2009) and Usurpateur (2012). She has been married to Julián Della Paolera since June 11, 2012. They have one child.