A group of strangers' lives fatefully intertwine as they navigate budding love, confront profound loss and encounter old flames.
An Oakland mayoral candidate struggles to figure out her personal and professional lives.
A former DEA agent and a former undercover operative revisit their romance during a fateful weekend in Taipei, unaware of the dangerous consequences of their past.
Two young women find themselves at an abandoned camp in the woods with a book of magical spells surrounded by classic monsters in this comedic send up of '80s horror films.
Over many missions and against impossible odds, Dom Toretto and his family have outsmarted, out-nerved and outdriven every foe in their path. Now, they confront the most lethal opponent they've ever faced: A terrifying threat emerging from the shadows of the past who's fueled by blood revenge, and who is determined to shatter this family and destroy everything—and everyone—that Dom loves, forever.
This special explores the return of Obi-Wan Kenobi and Anakin Skywalker to the screen, as well as Ewan McGregor and Hayden Christensen to their classic roles. Director Deborah Chow leads the cast and crew as they create new heroes and villains that live alongside new incarnations of beloved Star Wars characters, and an epic story that dramatically bridges the saga films.
The Obi-Wan show, in my opinion, suffered from things that were easily fixable in the script and in the edit... awkward pacing, whole scenes that ultimately amounted to nothing, goofy dialogue and directing choices, so I decided to take matters into my own hands and change what I could. I want to be very clear, this is my own artistic interpretation of how these scenes could be strung together to make something that works better for me personally.
The Obi-Wan show, in my opinion, suffered from things that were easily fixable in the script and in the edit... awkward pacing, whole scenes that ultimately amounted to nothing, goofy dialogue and directing choices, so I decided to take matters into my own hands and change what I could. I want to be very clear, this is my own artistic interpretation of how these scenes could be strung together to make something that works better for me personally.
Sister Tse is brought to New York by a Snakehead, a human smuggler. Although she is indebted to the crime family responsible for her transport, her survival instincts help her gain favor with the matriarch, and she rises quickly in the ranks. Soon Tse must reconcile her success with her real reason for coming to America—to find the child that was taken from her. In the end, Sister Tse must draw on the strength she found in transforming her victimhood into power.
Dominic Toretto and his crew battle the most skilled assassin and high-performance driver they've ever encountered: his forsaken brother.
Sung-Ho Kang (Korean: 강성호; RR: Gang Seongho; born April 8, 1972) is an American actor. His first significant role was as Han Lue in the Fast & Furious franchise, a character he first portrayed in Better Luck Tomorrow (2002). Kang also played John Mak in the television series Power. Description above from the Wikipedia article Sung Kang, licensed under CC-BY-SA, full list of contributors on Wikipedia.