Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.
Rip-off of “Everybody Loves Raymond” with a very annoying over-the-top comedian and star of the gambling commercials in the role of Raymond (Rale).
At the turning point of his life, 20-year-old Aljoša Kovač is trying to strike a balance between the expectations of his father Velja, the ambitions of his mother Mira, his own hard-to-achieve passion for music, and a love that is nearing its inevitable end.
Friends and colleagues talk about the life and work of Zoran Radmilovic (1933-1985), one of the best Serbian actors of all time.
A middle-aged former criminal has little time to live due to cancer, so he gets to see his son after 5 years to spend his last week with him and teach him the principles he considers important in life.