Svetlana Kharitonova

Acting

Svetlana Kharitonova

Overview

Known for
Acting
Gender
Other
Birthday
Jan 30, 1932 (93 years old)
Death date
Jan 08, 2012

Svetlana Kharitonova

Known For

Katya-Katya
1h 39m
Movie 2023

Katya-Katya

Spring 1942. Moscow schoolgirl Katya is corresponding with a cadet...

Without Justice
1h 30m
Movie 1993

Without Justice

A mother and daughter were brutally murdered in their apartment...

Emelya the Fool and Elena the Beautiful
1h 25m
Movie 1992

Emelya the Fool and Elena the Beautiful

Feature film based on a Russian fairy tale. A smart...

Butterflies
Movie 1991

Butterflies

In an abandoned apartment there are former spouses. Barricaded, the...

Two on the Bare Ground
1h 10m
Movie 1990

Two on the Bare Ground

Having abandoned his family many years ago, a father meets...

From the Life of Fyodor Kuzkin
3h 2m
Movie 1989

From the Life of Fyodor Kuzkin

Story of life of Fyodor Kuzkin, who shared all the...

I'm Offering My Hand and Heart
1h 22m
Movie 1989

I'm Offering My Hand and Heart

Coming of the Moon
1h 16m
Movie 1988

Coming of the Moon

Due to bad weather, gymnast Katya Prokhorova, going to international...

Visit to the Minotaur
1h 0m
TV Show 1987

Visit to the Minotaur

Зачем человеку крылья
Movie 1985

Зачем человеку крылья

Also titled Vasia the Midwife

Biography

A witty actress, one of the most filmed actresses of the 1950-1980s. She graduated from the Moscow Art Theater School (1954). She graduated from the Higher television directing courses at Central Television (1966), the directing department of VGIK (1971). In the cinema since 1955. From 1957 to 1969 he was an actress of the Moscow Academic Theater of Satire, from 1969 he was a television director, and from 1971 he was an assistant to the director of TO Screen. She did not play the main roles. The second roles became the field of activity of Kharitonova - girlfriends of heroines, girls from a construction site, burly collective farmers, etc. The actress loved them. In each of them she saw a man with a certain fate. I regretted it, sympathized with them, but could laugh as well - to sharpen its character to the grotesque. Starting from the amazing work in the film “Cranes Are Flying”, Svetlana Kharitonova immediately attracted attention. Strict, "cold" Irina Borozdina for the whole world became the embodiment of the Soviet girl-intellectual. And suddenly - the next role, the old woman Thekla in "White Nights" according to the story of Dostoevsky. And next to him is the dreamy fool Klava in the comedy “The Girl Without an Address”, the activist Lisa in “The Defiant”, the in love soldier Varvara in the tragedy “At a Difficult Hour”, the classic idiot Brandakhlystova in “Merry Outstretched Days”, the eccentric “vamp” Elvira in the extravaganza “ Can not be!" Kharitonova proved that she is an amazing actress, synthetic, "piece". Nobody could take her place. Svetlana entered the Moscow Art Theater School-Studio without much difficulty. The creative fate of Svetlana Kharitonova is non-standard. Being a popular, sought-after theater actress, she left the stage on take-off - tired. She went to documentary films, graduated from the directing department of VGIK. She made films about the silk factory, Polenovskaya estate, about the life of the department store, the fate of the teacher in kindergarten. Then she became interested in sports films and created educational films about figure skating, marathon running, freestyle wrestling. Her wonderful film "Teaching Infant Swimming" received the Grand Prix of the VIII All-Union Festival of Sports Films. At the same time, Kharitonova did not leave the acting profession either - she was shot without interruptions. Once after the filming, Svetlana Kharitonova drove the group in her car and hit a passerby. The woman died. There was a court, there were petitions, sureties. Relatives of the deceased also turned to justice - not to be too harsh. The actress was given a suspended sentence and sent to the Vladimir region, where she worked for three years at a reinforced concrete plant. Organized amateur performances. Upon her return, Kharitonova received invitations from Basov, Mikhalkov, Gaidai and again plunged into the element of cinema. She played teachers, railway workers, chairmen, wives of drunks and old bachelors. In any role, the actress was in place. She always wanted to watch, follow her immediate reaction, rejoice or worry together.